I was listening to the car radio when Elvis
Presley came on singing a fairly nondescript song – GI Blues.
It came as a shock – as it always does – how
good a voice he had. That night I delved into my DVD collection. It’s a
perennial complaint in my family that every year I ask for a DVD, which they
claim I put on a shelf and promptly forget. This is a canard. It’s a case of
waiting for just the right moment – and one had come now.
I played Elvis’ 1968 comeback concert and
was bowled over by two competing emotions. The first, and let’s get this out of
the way, was how phenomenally beautiful he was. After such a long time, seeing
him come alive on a large screen TV was like seeing a demigod, and at the same time an animated
Tussaud’s mannequin. It was a Rorschach thing.
In palmistry the lines on the left hand show
your inborn potential. The lines on the right palm show what you have/are doing
with it. They tend to coincide but not always and never exactly. It was a bit
like that with Elvis’ face.
Disc One showed him performing with his band
surrounded by a very strange audience. It was so prim and proper, well behaved
children with their parents sitting behind, most of them corporative insiders,
I’m sure. There are two kinds of audiences, the kind Hitler, the Beatles and
the Stones enjoyed where the performer feeds from the energy of the crowd, and
this kind of audience – respectful and all of them feeding from him. Elvis was singing to the un-dead
all coiffured and well-dressed.
Back
to the face. In every disc the camera panned lovingly over Presley’s hair and
face but in that first disc the camera occasionally zooms into his right
profile, which is – the only word for it is – weird. His eyes, nose, lips and
chin look as if they’re sinking into enveloping cheek.
It’s a spine-tingling
portent. You sigh with relief when the camera returns to the full face or left
profile where an equally unnatural beauty prevails.
This first Disc also reveals a degree of self
consciousness and unease, to be expected from an icon threatened by change and
perhaps the need to prove himself. It’s a strange mix of self deprecating
arrogance. He comes to life when he’s on his feet, singing without the comfort
blanket of buddies surrounding him. And, interestingly the camera largely
avoids close ups of his right profile. We see only the demigod running through
his greatest hits. Most of them are the necessary nods to his hey-day – just to
remind you of why he was once unchallenged as ‘King’. Each song is
professionally delivered, occasionally electric, but his last song – If I CanDream has pathos and power.
The Aztecs had a god, Tezcatlipoca, and each year his priests chose the most beautiful man in the empire to represent him. For a year this man had everything a god incarnate could desire. At the end of that year he was sacrificed. Presley had more than a year but the story is much the same.
In 1968 he was 32 and,
incredibly, a mere 9 years later he was dead, a bloated man aware of the
unfulfilled parody he had become. And yes, I like the Vegas shows, but it is a
different Elvis, still the consummate showman but more Liberace than Rock God,
a sacrifice waiting to happen.
These lines, for me, sum up the tragedy of Elvis. He knew there was more.
There must be
lights burning brighter somewhere
Got to be birds flying higher in a sky more blue
Got to be birds flying higher in a sky more blue
We're lost in a cloud with too much rain
We're trapped in a world that's troubled with pain
We're trapped in a world that's troubled with pain
But as long as a man has the strength to
dream
He can redeem his soul and fly
Deep in my heart there's a trembling question
Still I am sure that the answer, answer's gonna come somehow
Out there in the dark, there's a beckoning candle, yeah
And while I can think, while I can talk
While I can stand, while I can walk
While I can dream, please let my dream come true, oh
Right now, let it come true right now
Oh yeah
He can redeem his soul and fly
Deep in my heart there's a trembling question
Still I am sure that the answer, answer's gonna come somehow
Out there in the dark, there's a beckoning candle, yeah
And while I can think, while I can talk
While I can stand, while I can walk
While I can dream, please let my dream come true, oh
Right now, let it come true right now
Oh yeah