The Morgan family and Tredegar House have always fascinated me, in particular Evan Morgan, Papal Knight, sexual predator and Satanist, along with his more tragic sister, Gwyneth Morgan, who died in murky waters.
In ill health, weakened by enteric typhoid and drug abuse, Gwyneth was a severe embarrassment to her family and was all but incarcerated in the ‘Niche,’ a large house in Wimbledon.
In the early hours of Thursday, December 11th 1924 she slipped out of the house and vanished. Six months later, her body was fished out of the Thames near Wapping.
The mystery is manifold. By all accounts, Gwyneth was severely ill, unable to walk very far without feeling tired, and spent much of her time in bed. On the night she disappeared, London was shrouded in one of those legendary fogs, an impenetrable ‘pea-souper,’ and the nearest entry point to the Thames was Putney Bridge, four miles from where she lived. It is hard to believe that a semi invalid could walk four miles in thick fog through unfamiliar streets and fall into the river at Putney Bridge. The fact that her decomposed body was found in Wapping, even farther away compounds the mystery. It would have to have floated along one of the world’s busiest waterways beyond Hammersmith and Rotherhithe without being seen.
Nature abhors a vacuum and so does the press. In the absence of hard facts, newspapers had a field day with theories involving white slavers, Chinese opium lords, and lesbian lovers.
It is in this context The Gift was born.
The heroine in The Gift is an orphan, Lizzie McBride, and it is her interaction with the Morgan family that drives the story.
Born in a Liverpool slum, Lizzie McBride is the daughter of an Irish witch who dies when Lizzie is barely twelve, leaving her in charge of two younger sisters and a grieving father. When her father commits suicide, Lizzie is caught between two worlds. An aunt and uncle decide the three orphans would be better off with them in America. Just as they are about to board ship, Lizzie, on an impulse she cannot explain, runs off, and her life changes forever.
Pursued by a vengeful aunt, Lizzie cannonades into the young and charismatic magician, Aleister Crowley, who for his own reasons, introduces her to Lady Gwyneth Morgan, daughter of the richest family in Wales and sister to the flamboyant occultist, Evan Morgan.
Unknown to her, Lizzie possesses one devastating gift. When the occult world discovers this, governments and powerful individuals seek to harness it. Only one man can protect her: the magician John Grey.
The Gift is the first book of a trilogy, beginning in 1912 and ending in 1941. The three books trace the magical rivalry between two sisters, Elizabeth and Elsie McBride, interweaving between the likes of Evan Morgan, Aleister Crowley and major historical events. All of it initially inspired by the rich but wasted lives of Evan and Gwyneth Morgan.
The story continues with Bloodline and the trilogy ends with Bloodfall which bring events up to 1941, the German invasion of Russia, and a devastating occult ceremony within the Rollright stones.
The trilogy explores the supernatural, the occult underbelly of the English aristocracy and its links with the emergent Nazi movement. It is grounded in historical fact, weaving fiction where there are gaps in the record, and spotlighting key figures of their time: Aleister Crowley, Churchill, Brendan Bracken, Litvinov, Shaw and Guy Burgess—even Hitler and Stalin.
But over-shadowing all and unifying the trilogy is the tragic, relentless corruption of an innocent victim to one of irredeemable evil.
After a time, when all was done and dusted, I came to miss these people, every one of them. And then I realised, my heroes, being essentially ageless, offer scope for another series— this time in the future. One of the new books, Rain has just been published, another, Possession, is on its way—and watch this space for the third. All books have their merits, but the Gift Trilogy and what follows are amongst my favourites.